Las óleos de todo GHEYN, Jacob de II
ID Image  Painting (From A to Z)       Details 
6848  
GHEYN, Jacob de II, Four Studies of a Woman ds
  		 Four Studies of a Woman ds   1602-03 Chalk on paper, 261 x 322 mm Mus??es Royaux des Beaux-Arts, Brussels
43945  
GHEYN, Jacob de II, Four Studies of Frogs
  		 Four Studies of Frogs   142 x 196 mm
6850  
GHEYN, Jacob de II, Neptune and Amphitrite df
  		 Neptune and Amphitrite df   Oil on canvas, 103,5 x 137 cm Wallraf-Richartz Museum, Cologne
6849  
GHEYN, Jacob de II, The Exercise of Armes (details) fdgh
  		 The Exercise of Armes (details) fdgh   1619 Woodcut, 178 x 127 mm (each) Private collection
GHEYN, Jacob de II
Dutch engraver/painter (b. 1565, Antwerp, d. 1629, The Hague). was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career. De Gheyn received his first training from his father, Jacob de Gheyn I, a glass painter, engraver, and draftsman. In 1585, he moved to Haarlem, and studied under Hendrik Goltzius for the next five years. He moved again to Leiden in the middle of the 1590s. His first commission was for an engraving of the Siege of Geertruitenberg from Amsterdam city officials in 1593. Around 1600, de Gheyn abandoned engraving, and focused his work on painting and etching. Moving to The Hague in 1605, he was employed often by Dutch royalty, designing a garden in the Buitenhof for Prince Maurice of Orange which featured the two first grottoes in the Netherlands. After Prince Maurice's death in 1625, de Gheyn worked for Prince Frederick Henry, his brother. De Gheyn painted some of the earliest female nudes, vanitas, and floral still lifes in Dutch art. He is credited with creating over 1,500 drawings, including landscapes and natural history illustrations.



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